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Toumani, haroset, Easter bread, and the holidays

MMFCC, Z, and I are off to hear Toumani Diabate's Symmetric Orchestra this evening. Say hello if you see us (unless Z forces an emergency exit--she loved the album, though, and so I harbor high hopes).

Also on my mind: making the Yemeni-style haroset  that has become an annual specialty of mine. I do tweak this recipe a bit from the published version. One hint: sub pomegranate molasses for the juice for an extra-wonderful flavor; I buy mine locally at Sahadi's or Kalustyan's. Later this week, I'll haul out the mahlepi (or mahlab, if you prefer) seeds to make tsoureki. (This year, real Easter and Western Christian Easter are on the same date.)

Finally: I know I'm late, but happy Nowruz! I wish I could mark the new year (belatedly) by attending Hossein Alizadeh and the Hamavayan Ensemble's concert at Zankel Hall tomorrow evening...

A must-read

Those of a political bent should hasten to read the excellent essay posted on Greekworks reflecting on the assassination of the journalist and author Hrant Dink. (It is especially timely in light of the news that a right-wing Turkish politician has been held for questioning in relation to this killing.)

While they reference such seemingly disparate historical threads in this article as Malcolm X's rejection of the Nation of Islam, the founding of Pakistan, and the "autonomous communities" of contemporary Spain, the jaded might think that of course a site with a Greek focus would condemn the assassination of an ethnic Armenian in Turkey. But I am happy to say that the thoughtful and incisive editors of the site, as ever,  do not bend to the mindless tropes of nationalism, jingoism, and, as they write in this current piece, "facile identit[y]." (Frankly, if they did, I would never have written for them myself.)  A sample:

"It is one of the sadder truths of the history of nations (invariably the history of mass murder) that those who openly reject facile identities are the least understood by—and, therefore, the most conspicuous scapegoats for whatever ails—the particular nation. Ironically, of course, these defenders of historical humility (and, so, of historical integrity) are—and this is where the irony swerves into tragedy—the truest and most unwavering patriots."

Not to mention this:

"We will only add that we know something about founding myths since the defining event of the Greek national psyche in the twentieth century, the Asia Minor Disaster, was the catastrophic (and arrogant) consequence of that psyche’s egotistical compulsion in the nineteenth century: the Megalê Idea. It is one of many historical ironies in the intimate (and intimately entwined), centuries-long relationship binding Turks and Greeks that the latter’s ruin eighty-five years ago was the foundation of the former’s modern rebirth. We fear that that historical lesson of decline and rise (and decline yet again) has been lost on most of the elites in Turkey today."

Purely by chance...

...MMFCC stumbled upon a radio treat this evening: An absolutely blazing performance of a couple of movements from the Schulhoff Five Pieces for String Quartet on Chris O'Riley's radio show, From the Top . As it happens, the sixteen- and seventeen-year-olds from the Tarantella Quartet who played (and who also discussed with Chris their love of salsa dancing, talking philosophy, and tea-drinking--oh, those crazy kids!) hail from my alma mater. I'm just so proud. Sniff.

The strange marriage of ICM and cricket

Putting aside, if just for  one moment, the most shocking news to come today from the world of cricket...I believe that Shashi Tharoor may be the first person to draw an analogy between performing Indian classical music and playing cricket.

All I have to say is that I still neither comprehend the game nor understand its appeal. 

NWA for the youngest

A hugely entertaining clip from a new BBC3 show called "Rush Hour." (Is this sort of benevolent censorship in Z's future?)

" Searchin' my car, lookin' for the biscuits/
Thinkin' every chap is sellin' bits of chocolate"

After a too-long hiatus...

Cafe Aman is reopening its doors.  It is very much under renovation, so please excuse the mess in the interim.

Part of what has prompted me back at this moment is the current round of discussions about the health (or lack thereof) of the classical music recording industry, and what influence the topmost tier of crossover artists have on this business. (These musings include a very short  piece on NPR's "All Things Considered" last week, for which I was interviewed.)

As Alex Ross hinted today, I'm currently working on a piece for Billboard that hopefully will help shed some light on this subject.

A few scattered thoughts in the meantime:

  • Re the split between "core classical" and "crossover": I find that many purists take a certain umbrage at what kinds of releases are deemed "core classical" for SoundScan chart purposes. For example: in 2006, top-selling "core" albums included some old dude singing music by an even older dude, the 5 Browns, and Andre Rieu.
  • A Billboard piece I wrote early in 2006 generated a great deal of media coverage about the convergence of Chris Anderson's "long tail" theory and the digital downloading of classical music.  While the numbers cited there have changed over the past year, this phenomenon is, I believe, going to continue to be the primary driver of the business of classical music for some time to come.  The labels and artists who are still dragging their collective heels about making their releases available digitally--and there are a surprising number of holdouts still--are really missing the boat.
  • Two articles from the Wall Street Journal elucidate the realities of the larger record business. Yesterday's lede:   "In a dramatic acceleration of the seven-year sales decline that has battered the music industry, compact-disc sales for the first three months of this year plunged 20% from a year earlier, the latest sign of the seismic shift in the way consumers acquire music." Today: A report about the revised strategy at the Borders chain, which is one of the US' top sales outlets for classical music.

(The briefest summary of why such a lengthy break:  MMFCC and I have welcomed Baby Z to the fold. Just as MMFCC had anticipated, Z came into the world with a sound and pronounced aesthetic sensibility. Her first live concert, which she attended at four weeks old, was the Steve Reich marathon at the Whitney.  Other musics which have proved to be stunning successes include Schubert's Death and the Maiden Quartet, the RD Burman catalog, and Legend. Certainly, chronicles about our further adventures in sound are on their way.)